Rock in a Hard Place
Rock ’n’ roll on the friends-and-family plan
Cover Story
One Saturday at around 7 p.m., Colin Hoss is at his bar, the Grog and Tankard. The joint is open for business, but the club is nearly empty as the 36-year-old Hoss steps into a tiny sound booth for a quick double-check of the equipment. In a couple of hours, a band you never heard of will be jumping and sweating and shouting on the wooden stage sticking halfway into the middle of the rectangular room. It wouldn’t do for the eardrum-shattering sound to cut out while the kids are standing around not dancing.
Whoever walks in the Grog’s door later that night will not have read about the show in the Washington Post. Or the Washington City Paper. In the next day’s paper, there’ll be no reviews of the show, no mention of the deer head on the wall, the big cloth butterfly floating over the pool tables, the sweating rock fans crowded into a narrow, smoky room. Word of the performance will have leaked out only through the primitive channels that seem appropriate for the Grog’s throwback look: People will have heard about it from their friends, who will maybe have friends in the band, which will have sent out an e-mail. Maybe the audience will be mostly family.
They’re certainly not the usual “North Georgetown” yuppies who ply the strip of Wisconsin Avenue on which the Grog has squatted for 40 years—the folks who chew upscale pizza at Faccia Luna Trattoria or down margaritas at the Austin Grill next door. And they’re probably not regular patrons of the adjacent strip club, JP’s.... Continued
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