Posts Tagged ‘musical’
Hip Shot: ‘This Is NOT My Life”
This Is NOT My Life
Redrum
Remaining Performances:
Wednesday, July 22, 2009 @ 9:15 pm
Saturday, July 25, 2009 @ 11:30 am
They say: Emily figured it out: run away to France, meet the perfect guy, leave everyone behind. But, upon her homecoming, to be the maid-of-honor at her mother’s fifth wedding, it becomes glaringly obvious — this is NOT her life.
Suzyn’s take: This is NOT a fun evening at the theater.
What gets me is that the playwright knows the problem. He writes in the program that his script is full of “stupid, selfish asses.” However, it is really hard to make a play about “stupid selfish asses” work—to say nothing of a musical.
Hip Shot: ‘The Saints’
The Saints
The Baldacchino at Fort Fringe
Remaining Performances:
Thursday, July 16 at 9:45 p.m.
Friday, July 17 at 6:30 p.m.
Sunday, July 19 at 1:15 p.m.
Wednesday, July 22 at 9:00 p.m.
Sunday, July 26 at 12:30 p.m.
They say: “Saints, sinners, sex, drugs and rock and roll. Imagine Johnny Cash, Janis Joplin, St. Augustine and a bevy of virgin martyrs singin’ songs around a celestial campfire. DMLRR Presents The Saints. Virtue and vaudeville. Burlesque and the blessed: Where the revival tent meets the carnie tent.”
Trey’s take: I’m inclined to agree with the buddy who sat next to me at this noisy, cheeky vaudeville — a handful of electroacoustic hagiographies from the crew what brought you last year’s smash-hit 70-minute Oresteia: “I think it’s constitutionally empirically impossible to dislike this bunch these guys,” said my friend.
Roger that: Led by singer-songwriter Steve McWilliams and actor-director Debra Buonaccorsi, the outfit calls itself Dizzy Miss Lizzie’s Roadside Revue, but they’d have done just as well namewise if they’d gone with The Platonic Ideal of Artists Who Fringe for the Sheer Joy of Performing.
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Hip Shot: ‘Magnum Opus’
Magnum Opus
Warehouse – Mainstage
Remaining Performances:
Sunday, July 12 at 4:15 p.m.
Thursday, July 16 at 5:30 p.m.Saturday, July 18 at 2 p.m.
Saturday, July 25 at 8:30 p.m.
They say: “Robert, a struggling playwright, undertakes a Faustian bargain of inspiration in return for his sanity. Driven by his desire to please his wife Claire and succeed as a writer, he risks his life in return for his Magnum Opus.”
Brian’s take: When he was a kid, my little brother refused to eat eggs. And I remember one morning when, despite his protestations, my mother kept on cajoling him to take a bite — just one bite — until finally he explained, “I like eggs, I just don’t like the taste!”
That’s pretty much how I’d describe my feelings about Magnum Opus, a new opera by the Alterna Opera company. It’s a predictably well-made tragedy: You’ve got your struggling playwright, his casually flirtatious wife, the composer charming her into casual flirtation, and a pair of muses (though they behave more like sirens) whispering some nefarious solutions in the playwright’s ear.
Sneak Peek: What’s looking good?
Last night at RFD in Chinatown, a smattering of Fringe productions presented short segments from their shows, and I have to say that on the whole it was pretty impressive. So as you’re sifting through the festival guide, wondering how on earth you’re going to choose from 120 different productions, here are some standouts from the preview. Keep in mind, however, that last night was only a small handful of this year’s performances. What are you looking forward to? What else do we Fringe & Purgers need to see?
7 (x1) Samurai
David Gaines
Mr. Gaines may hawk his show as “An Epic Tale…told by an idiot,” but during the 7 minutes I witnessed last night, it became uproariously clear that this man is no idiot. Dressed as part street-pantomime part Japanese warrior, Gaines was riveting as he moved seamlessly among his manifold nonspeaking characters. This is serious, sidesplitting, mesmerizing stuff, and to see one man sustain it for 45 minutes is a feat I refuse to miss.
Slave Narratives Revisited
Mosaic Theatre Productions
Talk about a powerhouse: Lary Moten, in two tantalizingly short monologues, had everyone in RFD’s back room transfixed last night. He transformed that space twice in 5 minutes: first into an antebellum southern crossroads, and then into a Montgomery bus in 1956. There were some truly sublime (and deeply funny) moments, and if this is what 5 minutes in a bar feels like, well then I can’t wait to see the real thing.
Check out a few more suggestions after the jump.
