Hip Shot: ‘Lila: The Love Story of Radha and Krishna’

Lila: The Love Story of Radha and Krishna
The Apothecary

Remaining performances:
Jul 25th 4:15 pm

They say: Attraction, flirtation, jealousy, passion. Follow the human Radha and the god Krishna as they bask in the joy and burn in the heat of their love. The emotional quality of their story is captured beautifully through Odissi Indian classical dance.

Llewellyn’s take: It was pouring rain outside the Apothecary.  People shuffled in, soaked from head to toe, sopping wet playbills in hand.  A veritable waterfall cascaded from the ceiling in the back of the house.  The stage manager quipped that they were just trying to set the ambiance by making it more monsoon-like.  She may have been joking, but the drenched, humid conditions were perfect for what was a beautiful, intricate, and all-around amazing performance.  I can’t imagine a better way to wait out a monsoon then to watch the graceful interplay of these gorgeous women; the slow, delicate contortions alternating with the staccato raga stepwork.  Shalini Goel Agarwal’s flirtatious, mesmerizing gaze itself is reason enough to see this show.   The captivating beauty in their dress and expressive personalities had me wishing for an even plusher production—what if there were more dancers, more tapestries, real waterfalls, and a live tabla-sitar orchestra?

Some may be scared off by the prospect of classical, interpretive Indian dance.  American interpretive dance can be confusing enough by itself.  Maybe you think that the cultural barrier could only serve to alienate the audience; instead, the infectious pageantry won’t fail to enchant.  I’m not sure I completely understood the meaning even when outlined by the narrator (I think the plot was something akin to Shaggy’s “It Wasn’t Me”), but it didn’t really matter.  You know that it’s a dance of jealousy and passion: Radha complains to Vishnu, Vishnu appeals to Radha, they embrace, they fight, they get back together, and it repeats.  Somewhere in there, a flute gets played.  Sure, you might miss some details in this love battle of the gods while transfixed by the polyrhythmic undulations of the dance.  There are shows swimming in meaning and importance, but this one is swimming in beauty and technical skill.

See it if: You like nice things.

Skip it if: You still can’t forgive Vishnu for how he treated Shiva.

Blog Widget by LinkWithin

4 Comments

  1. Capital Fringe Fest 2009: Our Comprehensive Rundown - Fringe & Purge - Washington City Paper

    [...] Lila: The Love Story of Radha and Krishna [...]

  2. Thanks for the wonderful review! Minor nit–I think that in the last line, Radha should be in the place of Shiva, so that it reads “You still can’t forgive Vishnu for how he treated Radha.”

  3. There was a question afterwards about male and female role-playing in Odissi … please see http://www.indianetzone.com/1/odissi.htm
    that describes how Odissi dancers are trained to switch easily from lasya (feminine) to tandava (masculine) movements/ body-language.

  4. Such an observant review….amusing thought about a plusher production!!!

Leave a Reply

You can follow any responses to this entry through its comments RSS feed.

D.C. Dish Hall of Fame
advertisement
Crafty Bastards Blog
  • Crafty Bastards!
    Blog
Can I have seconds?

This Week

Current Issue
The Issue of Nov. 18 - 24, 2009

advertisement
advertisement