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‘The Fiddler Ghost’

The Fiddler Ghost
Harman Center – The Forum

Remaining performances:
Friday, July 18 @ 6:00pm; Saturday, July 19 @ 2:00 PM; Sunday, July 27 @ 7:00 PM

They say: “A visual presentation of an ancient folktale. The evolution of a people long forgotten. The birth and death of magic from the world in our eyes. Movement, dance, art, music, everything in between and unlike anything you’ve ever seen. The Fiddler Ghost lives on. Movement. Art. Dance. Music. Fate. Myth. And a live Fiddler.”

Tabitha’s take: There are some things to like. The live fiddler is good. The performers are well-rehearsed and committed. The show has rustic charm, as if it’s taking place in an open-minded pub, and a draught of Guinness is only a wink away.

However, when you find yourself thinking, “Gee, they could’ve used help from Michael Flatley,” you know something’s not right. Putting hands behind the back and hopping does not an Irish jig make. The choreography veers wildly, from an entertaining puppet sequence in which a man is controlled by fairies, to a dance stolen from the Lost Boys in Disney’s Peter Pan.

Even with the plot described in the program, it can be hard to follow. The myth is unfamiliar, and although the cast can dance, their lack of mime expertise renders some of the action unintelligible. They seem to always know what they’re doing, but often, I didn’t. The most glaring deficiency: with the live fiddler providing the music, an actor pretends to play, glancing around in a way that would’ve sent the instrument tucked under his chin crashing. It could have been a lovely moment - this ghost fiddler playing an invisible fiddle - but instead it was almost silly.

Still, the production isn’t a lost cause. The cast has talent, and in this, their first production as Old Lore Theater, they demonstrate that they may not be quite out of the fairy’s woods yet, but there’s hope.

See it if: You want to support a fledgling company with unique ideas, and you always suspected that fairies sounded like gremlins.

Skip it if: You revere Jacques Lecoq (or Michael Flatley).

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3 Responses to “‘The Fiddler Ghost’”

  1. Sheffy Gordon Says:

    Despite sitting right next to Tabitha, I had a totally different perspective. Despite also not know about the Celtic fairy mythology, I found the show enchanting (pun intended, regrettably). Original or not, I really enjoyed the ethnic dancing (OK, I’m no dancing expert, it wasn’t too long ago I thought that any show involving men dancing in tights was about fairies). Although Celtic music all sounds the same to me after a while, the music sounded pretty original as well. But what sold me on the show was how expressive their faces were–with radiant smiles and twinkles in their eyes it showed that this piece was an act of love.

  2. Michael Says:

    This enchanting production really captured a sense of the lively, mythic quality of fairies- their dual nature, playful and malevolent. The dance was spirited and creative, the “mime”, that to the reviewer seemed unintelligible, was perfectly clear (and I too did not know the story upon which this piece was based). And, as the first comment states, the exuberance of the cast was an integral part of the beauty of the piece. This is a must-see!

  3. Washington City Paper: Fringe & Purge - Fringe: The Morning After Says:

    [...] Dance - The Fiddler Ghost, a folksy Celtic fairytale involving puppets and step [...]

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