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	<title>Comments on: &#8216;Eugenio&#8217;</title>
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	<link>http://www.washingtoncitypaper.com/blogs/fringe/2008/07/17/hipshot-eugenio/</link>
	<description>Blogging the Capital Fringe Festival 2009</description>
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		<title>By: my blog</title>
		<link>http://www.washingtoncitypaper.com/blogs/fringe/2008/07/17/hipshot-eugenio/comment-page-1/#comment-23634</link>
		<dc:creator>my blog</dc:creator>
		<pubDate>Thu, 02 Jul 2009 12:49:10 +0000</pubDate>
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		<description>&lt;strong&gt;check this out...&lt;/strong&gt;

this is mine...</description>
		<content:encoded><![CDATA[<p><strong>check this out&#8230;</strong></p>
<p>this is mine&#8230;</p>
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		<title>By: STS</title>
		<link>http://www.washingtoncitypaper.com/blogs/fringe/2008/07/17/hipshot-eugenio/comment-page-1/#comment-10542</link>
		<dc:creator>STS</dc:creator>
		<pubDate>Sat, 19 Jul 2008 06:36:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/fringe/?p=149#comment-10542</guid>
		<description>This was an informative performance piece, perhaps, but not a play.  Far too many lines were simply exposition - the author wanted to tell a historical story more than search the characters&#039; motivations or reveal their interactions.  A little bending of the factual timeline would help compress the action and might help this piece become a play.  Ditching the narrator would be a good first step - the prop/set changes suffice.</description>
		<content:encoded><![CDATA[<p>This was an informative performance piece, perhaps, but not a play.  Far too many lines were simply exposition &#8211; the author wanted to tell a historical story more than search the characters&#8217; motivations or reveal their interactions.  A little bending of the factual timeline would help compress the action and might help this piece become a play.  Ditching the narrator would be a good first step &#8211; the prop/set changes suffice.</p>
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