This Week in the Performing Arts: Full Circle and Ariadne auf Naxos
Trey Graham dissects the “artsy collage” of Woolly Mammoth’s fall-of-the-Berlin-Wall story, Full Circle—”a production that breaks through theatrical boundaries as enthusiastically as the citizens of Berlin took that other barrier down two decades ago.”- Ted Scheinman praises the National Opera’s Ariadne auf Naxos, “a Strauss gem about the limitations of tragedy.”
- Also playing: Adding Machine: The Musical; Angels in America I & II; The Alchemist; Lost in Yonkers; Dracula; A Streetcar Named Desire.
Leave a Reply
You can follow any responses to this entry through its comments RSS feed.





