If folk music’s prime currency is authenticity, Langhorne Slim might well earn some crooked eyebrows. Classically trained at the SUNY-Purchase conservatory, Sean Scolnik donned loafers and floppy hat and named himself after his hometown in the tradition of all those rail-hoppin’ ramblers who used to do that. The blogosphere gobbled up this aesthetic and and have cast Slim in the role of Guthrie-Dylan inheritor he came dressed to play.

Really, Slim doesn’t make music like that at all. His music is much more poptimistic, with an evangelical energy that has led some critics to call his music religious (and not in the way Bob Dylan equated Woody Guthrie’s music with religion). Slim’s lyrics lunge, albeit passionately, with a blade that is shinier than it is sharp. Cat Stevens, with his spiritual conceit, is an apter analog—or the Avett Brothers, with whom Slim has toured.

Read More “Tonight: Langhorne Slim @ Rock ‘N’ Roll Hotel w/ Dawes” »

Because I wrote about Title Tracks’ versions of songs by The Flamin’ Groovies and The Merseybeats earlier this week, and because Bob Dylan’s truly atrocious new disc of Christmas standards leaked yesterday, I’ve been thinking a lot about covers.

Let’s put aside the illustrious history of ill-advised tributes (read: the entire Me First and the Gimme Gimmes oeuvre). A good cover can both satisfy a simple, dorky impulse—to hear one artist you admire spin another in an interesting way—and prove rather instructional. For example, it can tell you that Title Tracks frontman John Davis is probably a sucker for semi-obscure gems (he is), as well as a student of infectious, pop-classicist hooks. With that in mind, I’ve collected some recent covers by local artists.

My short list, after the jump, is fairly folk- and indie-centric, and by no means complete. Tell me what I missed in the comments.

Read More “Your Local Faves, Playing Other People’s Songs” »