Romantic Post-Wave and the Tom Waits School of Voice: A Chat with Future Islands
"I really unabashedly am a bad singer," says Sam Herring of Baltimore's once rough-and-ragged—and now disarmingly introspective and motivic—Future Islands. He quickly qualifies the statement: "I don’t think I’m a bad singer, but I don’t consider myself a singer. I consider myself a performer who can sing a bit and does sing."
On the trio's upcoming [...]















