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	<title>Arts Desk &#187; She &amp; Him</title>
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		<title>Leak Proof: Beck, Wu Tang Clan, She &amp; Him, Gareth Williams</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/06/29/leak-proof-beck-wu-tang-clan-she-him-gareth-williams/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/06/29/leak-proof-beck-wu-tang-clan-she-him-gareth-williams/#comments</comments>
		<pubDate>Mon, 29 Jun 2009 17:19:56 +0000</pubDate>
		<dc:creator>Aaron Leitko</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Beck]]></category>
		<category><![CDATA[Gareth Williams]]></category>
		<category><![CDATA[Leak Proof]]></category>
		<category><![CDATA[M. Ward]]></category>
		<category><![CDATA[She & Him]]></category>
		<category><![CDATA[Wu Tang Clan]]></category>
		<category><![CDATA[Zooey Deschanel]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/blackplasticbag/?p=7725</guid>
		<description><![CDATA[Beck: &#8220;I&#8217;m Waiting For My Man&#8221;
The Velvet Underground&#8217;s original version of this song made scoring drugs sound exotic and cool. Beck&#8217;s cover, on the other hand, is probably a little closer to reality. The second offering from the singer&#8217;s Record Club website, where the singer will be covering The Velvet Underground &#038; Nico in its [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Beck</strong>: &#8220;<a href="http://beck.com/">I&#8217;m Waiting For My Man</a>&#8221;<br />
The Velvet Underground&#8217;s original version of this song made scoring drugs sound exotic and cool. Beck&#8217;s cover, on the other hand, is probably a little closer to reality. The second offering from the singer&#8217;s Record Club website, where the singer will be covering <em>The Velvet Underground &#038; Nico</em> in its entirety, is dense, sloppy, and out of tune. This is not the sound of hipsters slumming in urban bohemia but a long stroll to the drum circle with your bare-foot Dead-head neighbor. A different activity, for sure, but not one lacking in charms of its own. </p>
<p><a href="http://www.washingtoncitypaper.com/blogs/blackplasticbag/files/2009/06/shenhim.jpg"><img src="http://www.washingtoncitypaper.com/blogs/blackplasticbag/files/2009/06/shenhim-150x150.jpg" alt="" title="shenhim" width="150" height="150" class="alignright size-thumbnail wp-image-7740" /></a><strong>She &#038; Him</strong>: &#8220;<a href="http://stereogum.com/archives/video/she-him-cover-please-please-please-let-me-get-what_076172.html">Please Please Let Me Get What I Want</a>&#8221;<br />
Zooey Deschanel and M. Ward, who perform together as She &#038; Him, take a swipe at the most frequently covered of all Smiths songs for the soundtrack to Deschanel&#8217;s new movie <em>(500) Days of Summer</em>. As those covers go, this is a pretty traditional rendering, with heaps of reverb and a gazillion overdubbed acoustic guitars. But Deschanel delivers the vocal with the requisite amount of melancholy and the cover holds its own just fine alongside The Deftones version. </p>
<p><strong>Wu Tang Clan ft. Raekwon, Sean Price, and Cormega</strong>: &#8220;<a href="http://www.youtube.com/watch?v=nzTXTuTxmLw">Radian Jewels</a>&#8221;<br />
It certainly sounds like Wu-Tang&#8211;synths strings, minimalist beats, Raekwon&#8211;but apparently &#8220;Radiant Jewels&#8221; and <em>Chamber Music</em>, the Rza produced record it comes from, is not a new Wu-Tang Clan record. Instead, according to a particularly confusing press release, it&#8217;s just a record featuring new music made with participation from every member of the group and a live backing band that emulates the classic Wu-Tang sound. So maybe it&#8217;s better than a &#8220;real&#8221; Wu-Tang record? Go figure.  </p>
<p><a href="http://www.washingtoncitypaper.com/blogs/blackplasticbag/files/2009/06/garethwilliams.jpg"><img src="http://www.washingtoncitypaper.com/blogs/blackplasticbag/files/2009/06/garethwilliams-150x150.jpg" alt="" title="garethwilliams" width="150" height="150" class="alignleft size-thumbnail wp-image-7741" /></a><strong>Gareth Williams</strong>: &#8220;<a href="http://rcrdlbl.com/2009/06/26/download_gareth_williams_nothing_on_anger_of_fire">Anger of Fire</a>&#8221;<br />
Gareth Williams&#8217; role in This Heat, the experimental/post-punk band in which he performed during the early &#8217;80s, seemed somewhat subversive. While his band mates, drummer Charles Hayward and guitarist Charles Bullen, were traditionally skilled musicians, Williams approached things from a more naive and unschooled perspective. He mashed on a bizarrely tuned keyboard, played back tape collages, and fueled the group&#8217;s more abstract and unpredictable moments. But &#8220;Anger of Fire,&#8221; written years after Williams had departed from This Heat, is surprisingly tuneful. Built on two acoustic guitar chords and a reggae-inspired rhythm, it suggest that Williams, who passed away in &#8216;01, certainly had more in his head than noise. </p>
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