Sharon Jones‘ first record, Dap-Dippin’ With Sharon Jones and the Dap-Kings, was a driving soul LP penned almost entirely by her ace bassist, Bosco Mann; metronomically speaking, it clocked in between 100 and 140 beats per minute. Her sophomore effort, Naturally, was a more mannered affair, with Lee Fields doing his best Otis Redding impression (on the soap opera/soul-recitative “Stranded in Your Love”) and the frontwoman expanding her repertoire into down-tempo balladry.

You won’t need a metronome to guess that it was the James Brown-type grooves off the first record that kept the 9:30 Club audience (at $30 a pop) shaking and sweating past midnight on Saturday. Jones’ show is structured along the lines of a gospel revue, a single extended exhortation that includes a lot of flop-sweat and audience participation. Anchored on the low end by a belch-y bari sax and on the high end by squealing trumpet and a two-guitar attack, Jones lays down her brash soprano with the confident intimacy of an old lover who sees right through you (cf. “What Have You Done for Me Lately?”). She sees right through herself too—ribbing things like her age (53) and her height (unspecified, though she notes that her legs are about half as long as Tina Turner’s). That low center of gravity matches a barreling live presence, one not easily effaced by the occasional Wedding-band funk of her otherwise groovy associates.

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While this weekend’s Sharon Jones and the Dapkings shows have attracted the attention of this paper, the Washington Post’s Going Out Gurus, and NBC4’s online self-proclaimed music snob, listeners to Saturday blues and soul programming on WPFW and to quiet storm sounds on WHUR are hearing about a different soul show.  The Mother’s Day Soul Jam Saturday night at the Showplace Arena in Upper Marlboro features five classic ‘70s era soul acts–the Stylistics, Dramatics, The Manhattans, The Chi-Lites, and Cuba Gooding, Sr. & the Main Ingredient.   I have seen them all in recent years at such locations as Constitution Hall, Fort Dupont, the Showplace Arena or Carter Barron, and my fave is the Stylistics.

Only two of the current members of this Philly combo may be original members, but in recent live appearances they still brilliantly captured the original outfit’s high notes lead with backing harmony technique. Expect the current incarnation to smoothly step back and forth onstage in cleverly choreographed fashion and wow the audience with versions of  such r’n’b hits of theirs as  “Stop, Look, Listen (to Your Heart),” “Break Up to Make Up,”  and “Betcha by Golly Wow.”  Their brightly colored, matching throwback suits will help capture the past as well.  While it may not be like hearing them in 1970, seeing them live even this many years later helps add to my appreciation of what they accomplished.  Less raucous than the late ’60s feel Sharon Jones goes for, but it still sounds good.

“Mother’s Day Soul Jam” Saturday May 9 at 8 p.m. at the Showplace Arena,14900 Pennsylvania Ave, Upper Marlboro, MD

David Byrne’s had his hands in many a cookie jar. The ex-Talking Head and Luaka Bop label founder played a building (literally), designed cheeky bike racks, and released one of 2008’s best records with fellow ’70s-era musical-genius-who-just-won’t-quit Brian Eno. Now Byrne’s got a new concept album in the works (via Stereogum via BBC).

Inspired by Imelda Marcos, the high heels-happy wife of ex-dictator of the Phillipines Ferdinand Marcos, Byrne penned the album with Fatboy Slim. Together they’re recruiting different vocalists for each track. So far, Santigold is on board as well. Byrne told BBC’s 6 Music:

There is a different singer on every song including Sharon Jones from Amy Winehouse’s backing band The Dap Tones, Alice Russell and Tori Amos. There’s a lot of singers, it goes on and on.

“On and on”? How many tracks are on this album? Here’s hoping Byrne doesn’t jump the shark with this one.