<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arts Desk &#187; russia house</title>
	<atom:link href="http://www.washingtoncitypaper.com/blogs/artsdesk/tag/russia-house/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.washingtoncitypaper.com/blogs/artsdesk</link>
	<description>News and Criticism on D.C. and Beyond</description>
	<lastBuildDate>Wed, 17 Mar 2010 22:02:21 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.8.1</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>An Open Letter to Sandra Beasley Or: So long, and sorry for the a cappella!</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/09/21/an-open-letter-to-sandra-beasley-or-so-long-and-sorry-for-the-a-cappella/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/09/21/an-open-letter-to-sandra-beasley-or-so-long-and-sorry-for-the-a-cappella/#comments</comments>
		<pubDate>Mon, 21 Sep 2009 17:44:40 +0000</pubDate>
		<dc:creator>Ted Scheinman</dc:creator>
				<category><![CDATA[Shenanigans]]></category>
		<category><![CDATA[a cappella]]></category>
		<category><![CDATA[russia house]]></category>
		<category><![CDATA[sandra beasley]]></category>
		<category><![CDATA[the society of orpheus and bacchus]]></category>
		<category><![CDATA[washington post magazine]]></category>
		<category><![CDATA[xx files]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/general/?p=10098</guid>
		<description><![CDATA[Dear Ms. Beasley,
One of my higher-ups alerted me to your valedictory XX Files column in yesterday&#8217;s Washington Post Magazine. Imagine my surprise to discover that it was all about me!
Surprise and chagrin, to be honest. Because your column paints a horrifying picture of post-college male decadence, including but not limited to 1.) gluttony 2.) a [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignright size-full wp-image-10120" src="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/09/parental-advisory-explicit-lyrics.jpg" alt="" width="179" height="127" />Dear <strong>Ms. Beasley</strong>,</p>
<p>One of my higher-ups alerted me to your valedictory <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/09/11/AR2009091102330.html"><strong>XX Files</strong> column</a> in yesterday&#8217;s <em>Washington Post Magazine</em>. Imagine my surprise to discover that it was all about me!</p>
<p>Surprise and chagrin, to be honest. Because your column paints a horrifying picture of post-college male decadence, including but not limited to 1.) gluttony 2.) a dependency on beer and 3.) suggestively redacted <strong>Tenacious D</strong> lyrics.</p>
<p><span id="more-10098"></span></p>
<p>The backstory, for the eavesdroppers: last summer, I was out on the town with a number of visiting friends (also recovering college <em>a cappella</em> types). On our way to the <a href="http://www.washingtoncitypaper.com/food/restaurant.php?rID=172">Russia House</a>, a female companion begged us to sing a thing or two; we obliged with a swingin&#8217; <strong>Jimmy Reed</strong> medley. Drawn to our unusual music, unknown women appeared on a balcony, offering beer and pie in exchange for ascent and song.</p>
<p>Free pie? We accepted.</p>
<p>What ensued was no more—I thought at the time—than a few nice songs and some light banter. Little did I know that we&#8217;d left an indelible impression on the lady of the house. Who, over a year later, would use the evening to bolster a coming-of-age narrative in the paper of record!</p>
<p>Now, I understand the nature of a column—you have to take your audience from point A to point B, creating symmetry and closure that may not have inhered in the events in question. So I thank you for calling us &#8220;college Romeos in shaggy haircuts&#8221; even as I forgive you for bemoaning the &#8220;salacious, operatic note[s]&#8221; of &#8220;Fuck Her Gently,&#8221; which we sang with no shortage of grace or obscenity for you and your charming guests. So you employ a sly, extended Shakespearean analogy in which—over the course of two songs!—a rapt, girlish Juliet becomes a stiff, scolding Lady Capulet. Which, you know, good for you—but it does makes us sound like scallawags.</p>
<p>What you must understand, Sandra—may I call you Sandra?—is that I was a different man back then. Hell, the scene in question went down last June (2008—the year of the rat, remember?), which is why I was initially puzzled at its inclusion in a September, 2009 column. I&#8217;m 24 now, Sandra<strong><big><a href="#24">*</a></big></strong>, and I&#8217;m trying to think ahead. No more beer pong parties. Time to buy two sets of guest towels. Maybe vacate that air mattress on my buddy&#8217;s floor.</p>
<p>So, apologies for the gross indecency. But thanks for the pie.</p>
<p>Yours immaculately,</p>
<p>Ted Scheinman</p>
<p><a name="24">*</a><em>As of two days ago, but who&#8217;s counting?</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/09/21/an-open-letter-to-sandra-beasley-or-so-long-and-sorry-for-the-a-cappella/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
	</channel>
</rss>
