Posts Tagged ‘More Humans’

Ramon Ramirez’s Five Best Local Albums of 2011

Oddisee made the best DMV album of 2011. But I’m tired of reading about him in Arts Desk posts.
On the national side of sounds, the year was mostly about slowing down and turning up the bass (see: James Blake, Drizzy Drake, The Weeknd, Bon Iver, Girls, Frank Ocean). However, some Haterade for all the buzzy [...]

Ryan Little’s 10 Best Local Tracks of 2011

I didn't realize how great a year it's been for music in D.C. until I started compiling this list. While I didn't hear many landmark, career-defining albums in 2011, there were a ton of great songs from both young and veteran artists. Whatever D.C.'s reputation, there's a healthy community of smart, ambitious musicmakers in this [...]

More Humans’ “Mason-Dixon” Video Is Appropriately Spooky

The mostly local trio prog-pop/post-punk trio More Humans, whose Chad Clark-produced Demon Station EP has won over plenty of local critics, dropped a new video on us this week. The track, "Mason-Dixon," with it's tight harmonies and quick rhythmic change-ups, gets treated to a cross-country road trip alongside a mischievous ghost clad in a Halloween-appropriate sheet. See [...]

In Which Dudes From The Caribbean and More Humans Improve on Guided by Voices

I've had plenty of kind words before for The Caribbean and More Humans, two partially-based-in-D.C. bands that make lyrical, disquieting story pop. Good news: The Jarvik 6 is a new collaboration between two of their members—Caribbean's Matthew Byars and More Humans' Clinton Doggett—and its first song is a Guided by Voices cover, "Learning to Hunt."
This is [...]

New Music From More Humans (The Band)

You may've heard some buzz around town about a secret EP from locals More Humans. The underground demo made a few rounds, and now Demon Station is finally available to the public. We raved about the tunes last May, and the praise still stands. It's a solid batch of pops songs schooled in clever post-punk, [...]

This Week in WCP Arts: Modern Dance, Follies, and Maybach Music

Amanda Abrams leads this week's arts section with an argument about the state of D.C.'s modern dance scene: It sucks. But it doesn't have to! Mike Madden and I riff on the TV show Bones' shamefully misguided conceptions of D.C.—even though it takes place there. Trey Graham gushes—well, somewhat skeptically—about the much-anticipated Kennedy Center production of [...]

Zach Barocas’ Bells≥ Makes Its D.C. Debut

Bells≥ is not what you think. Headed up by drummer Zach Barocas, who spent the mid-'90s holding Jawbox together with a peculiar style and intimidating precision, the quartet plays extended, intricate instrumental jams. Bells≥ also features Adam Riser, formerly the bassist of Oxford Collapse, and zero vocalists. The expansive songs on the band's self-released EP, There Are Crashes, [...]

Three Good Reasons to See The Caribbean Tonight

Yeah, we write about D.C.'s The Caribbean a whole bunch. The trio's new album, Discontinued Perfume, is one of the strongest records I've heard this year, but you know that already, and I've definitely said my piece. But the band and its label keep giving us reasons to write about them, so make sure you [...]

Weekend Music Roundup: Paleo, H Street Festival, The Postelles

The Best of Friday:
Paleo and MacGregor Burns. $8. 9 p.m. The Red and the Black. 21+.
Singer-songwriter David Andrew Strackany has toured extensively and exhaustively for years (seriously, check the tour history). Enjoy an easy, strumming indie-folk sound that invokes a sunny chorus of happy animals (think badgers playing flute, chiming lizards, maybe a tuba-playing elephant) all beckoning [...]

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