The best in local jazz in 2015.
Posts Tagged ‘Luke Stewart’
It's a good few days at Bohemian Caverns for jazz lovers.
On its latest album, "freedom" for free-jazz trio Trio OOO is relative.
They believe it happened on Sunday night.
Friday, August 7
Anyone who's seen him play must have known it was coming. Tenor man Elijah Balbed, who we named D.C.'s Best New Jazz Musician in 2010 and Best Tenor Saxophonist in 2013, was always too talented, too ambitious, too relentless in pursuit of his craft to not make The Big Move. Yes, New York calls [...]
Luke Stewart—bassist, CapitalBopper, and talent booker at the Union Arts loft—has organized a 50th anniversary celebration of what's been called "arguably the most seminal jazz concert series ever held."
Thursday, August 14
He's a drummer and percussionist, a composer and an improviser, and a conceptualist. But even within the ivory tower of avant-garde jazz, William Hooker's is a somewhat obscure name. It needn't be, considering the heft of his resume: He's worked with everyone from David Murray to David S. Ware, from DJ Spooky to [...]
Yes, it's that slow period in August when the jazz scene dries up to a trickle. And yet, every desert has its oases; here are a few of ours.
Friday, August 1
There's some room for debate on the overlap between jazz and "creative music." The latter is more of a catch-all term for music that combines [...]
Friday, May 24
She's not Janine Gilbert-Carter or Sharón Clark—D.C. long-timers with serious credentials—but Lena Seikaly is nonetheless probably the city's most visible jazz singer. She's a young artist, with a smooth, deep, oaky voice, and phrasing and control that belie her youth. She's also renowned on the scene for her beautiful and progressive approach to composition. [...]
Thursday, May 2
If you're speaking to alto saxophonists under the age of, say, 40, and you ask them about their influences, it's a given that you'll add, "Aside from Kenny Garrett, of course." This is not an exaggeration. His supple, sensuous tone, preternatural rhythmic sense, and snaky short-note phrasings have all become the lingua franca [...]