Trey Graham dissects the "artsy collage" of Woolly Mammoth's fall-of-the-Berlin-Wall story, Full Circle—"a production that breaks through theatrical boundaries as enthusiastically as the citizens of Berlin took that other barrier down two decades ago."
Ted Scheinman praises the National Opera's Ariadne auf Naxos, "a Strauss gem about the limitations of tragedy."
Also playing: Adding Machine: The Musical; [...]