You probably could take the phantasmagorical art pop of Bat For Lashes and resoundtrack Labyrinth with it: Hell, the 1986 Henson/Lucas/Bowie collab might even benefit from Natasha Khan's spooky, finicky arrangements and fantasy-genre imagery. The poetry of crystal towers, emerald cities, wizards and white magic — not at all credible on paper but enchanting and [...]