Earlier today, Erica Bruce posted about yesterday's acoustic John Davis show, where Q and Not U alum and current WaPo pop critic Chris Richards joined his former bandmate for a couple of tunes. Davis mentioned at the show that they had written a slew of songs together, and today he confirms via email that the two [...]
Posts Tagged ‘John Davis’
Since November 2010, the Luce Foundation Center for American Art, located in the Smithsonian American Art Museum, has been one of the city's more intimate outlets for local musicians. Its monthly acoustic concert series, Luce Unplugged, features an hour-long performance, accompanied by a discussion on an artwork chosen by the musician.
Yesterday the series featured Title Tracks frontman [...]
For a pair of mildly funky dudes, D.C.- and Berlin-based producers Benoit & Sergio have pretty aristocratic taste. In a recent feature for the website Magnetic, the gents behind this year’s fabulous “Principles”/“Everybody” EP take readers on a tour of Washington, keeping a little too close to the Burberry-clad sections of town: To Benoit, Dupont [...]
There's no shortage of news from the land of Ian MacKaye today. As if to remind us all that the band members indirectly responsible for Wugazi's recent success still in fact make original music, The Evens were just officially added to the Fort Reno schedule. The acoustic art punks haven't brought their musical partnership into [...]
Beautiful Swimmers want you to start your summer off slow: Margarita slow. Captain's-hat-tilted-seaward slow. Yacht-rock slow.
The local spaced out electronica duo just released "Open Shadow," its latest 7-inch, featuring a lead vocal from Title Tracks frontman John Davis. It's beachy and syrupy in the Loggins & Messina vein. Or maybe it sounds like Seals & Crofts. [...]
It's no stretch to say D.C. is much more of a punk-rock town than a power-pop one. John Davis first became well known for drumming in post-punkers Q and not U, but its clear from his band Title Tracks he loves the head-bobbing hooks of The Raspberries and their ilk. At the Black Cat Backstage last night, it [...]
On the cover this week, I take a dark, torturous journey into the heart of the pub-quiz industry and emerged somewhat scathed. Benjamin R. Freed leads the arts section with a smart dissection of what recent cuts to a federal grant program mean for D.C. arts organizations—especially smaller ones. Ben Westhoff reviews the new, more [...]
When you think of John Davis' post-Q and Not U aesthetic, you think sweet and sunshiny. The newest Title Tracks album, In Blank, still draws on Davis' love of power-pop, but it colors it in a darker shade. For the most part, songs are quick, downcast, and grimy (thanks to a lovely mono mix)—and, finally, [...]
Ragers are relative. Describing the new Title Tracks record, a press release from Windian Records in the label's signature caps lock reads: "THE LP'S FIRST SINGLE 'TURN YOUR FACE' DEFINES THE SIMPLISTIC, MODERATE SOUND OF THIS BAND, POUNDING IT OUT IN A DESPERATE CALM."
Desperate calm? Maybe compared to the rest of Windian's punk-as-fuck roster. But [...]
On Oct. 24, 2000, Dischord Records released No Kill No Beep Beep, the classic debut by Q and Not U. The cover is an arresting, whimsical snapshot of the punk-rock community that spawned the record—the band asked its friends and peers, most of them under 25 at the time, to pose for a portrait that [...]