For this week's One Track Mind, Benjamin R. Freed chats with The Torches, whose leader happens to also play with Harrison in The Cassettes. Also in music: Geoffrey Himes reviews two forward-thinking, surprisingly conversational jazz records from Bill Frisell and Dave Douglas. Ted Scheinman reviews the latest record from jazz band JJ Grey and Mofro. And Nevin Martell listens to the sophomore effort by druggy U.K. dance-rockers Klaxons.

Elsewhere, film critic Tricia Olszewski reviews two films in which thugs get all Darwinistic, Animal Kingdom and Mesrine: Killer Instinct. And Scheinman reviews Portraits and Persons, an art-historical text that should tell you something about your cat.

In City Lights: Louis Jacobson reviews "Cinecitta Chapel" at Flashpoint. Plus: Cannabis Corpse, "Anacostia: Never Far from Home," Rupa and the April Fishes, Dr. John, A Gente Luta mas Come, and Kele!

JJ Grey and Mofro released Orange Blossoms on August 26th. I'm a big Mofro fan, and would reccomend any of their four records. With Blossoms, however, they are predictably tagged again with the head- scratching moniker of "swamp rockers"–the quasi-sub genre the stubbornly defies definition. The wiki pedia page on swamp rock lists CCR, Jim Dickinson, JJ Cale, and Tony Joe White as purveyors of swamp and offers up this explanation:

The music is characterized by funky, soulful bass, twangy reverb guitar and songs that typically concerned themselves with matters of Southern American States folklore. There's a literary, Southern Gothic feel to most swamp rock. The lyrics of swamp rock songs often describe life in such locales as along the Mississippi River, in New Orleans or such rural areas as the bayou.

I could quibble with much here. First, CCR's songs were often about a dangerous swamp on the other side of the globe, and Jim Dickinson practices as much Dixieland as anything. Also, a case could be made that JJ Cale and Tony Joe White are bluesmen with singular voices and regional influences.

The Southern Gothic angle is intriguing. Though when JJ Grey sings about the land around his Florida home, the critters and the dark water, the sinister developers and their cronies, it takes me back to my own upbringing in the Midwest. His themes of land and life lost to the soulessness of the modern world resonate well past the South and the 'Glades.

So maybe we resist the temptation to lean on a category that never made sense in the first place and call this music what it is–soul and blues played with conviction.

Or we can call JJ Grey and Mofro what they call themselves: Front Porch Soul. The kind music that was the foundation of Otis Redding's sound, and the kind you'll hear at the 9:30 Club on Sunday, Sept. 21, when Booker T. and the MG's and Eddie Floyd celebrate Stax Records' 50th Anniversary.

JJ Grey and Mofro play the State Theater in Falls Church on Wednesday, October 15.

Listen to JJ Grey and Mofro at http://www.myspace.com/mofroband