Hugh McElroy (Black Eyes, Hand Fed Babies) performed a rare, (mostly) a capella set last night at Everlasting Life Cafe. Here's a clip from the show, complete with space echo:

On Oct. 24, 2000, Dischord Records released No Kill No Beep Beep, the classic debut by Q and Not U. The cover is an arresting, whimsical snapshot of the punk-rock community that spawned the record—the band asked its friends and peers, most of them under 25 at the time, to pose for a portrait that [...]

“Do not. Remove. The matchbox.”
That was the advice Aaron Leitko, Hugh McElroy, and Sean Peoples received five years ago when they bought their white, nearly windowless 1995 Ford Econoline 150—a hulking, utilitarian shell of a vehicle that had spent much of its previous decade hauling some of D.C.’s most tour-hardened indie-rock outfits across the country.
Here’s [...]

If you were hoping to catch some live music tonight, you're probably out of luck. Yet while today's hazardous conditions may make getting to venues difficult, they won't stop local artists from making music—including, lest I forget, the guy who lives across the street from me and plays sax for what must be 13 or [...]

D.C.'s Black Eyes was one of those bands where you ended up collecting every song. The quintet didn't record a lot of them, for one thing—fewer than 30 in the three years it existed. That, and the group's chaotic, genre-hopping, paranoid post-hardcore was—and remains—utterly singular.
You can get a small sense of how that sound emerged at [...]

Over the last 15 years, Kansas House, a tiny four-bedroom home in Arlington, has seen members of bands that recorded for almost every D.C. record label—Dischord, Teenbeat, Slowdime, Simple Machines—crash on its floors, perform in its living room, or be thoroughly revolted by its rat-infested basement.
Kansas House is not a club. Shows happen there once [...]