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	<title>Arts Desk &#187; Heavens to Betsy</title>
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	<description>News and Criticism on D.C. and Beyond</description>
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		<title>Clip Job: Five Second Acts for Riot Grrrl Veterans</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/16/clip-job-five-second-acts-for-riot-grrrl-veterans/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/16/clip-job-five-second-acts-for-riot-grrrl-veterans/#comments</comments>
		<pubDate>Fri, 16 Oct 2009 17:51:36 +0000</pubDate>
		<dc:creator>Jonathan L. Fischer</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Indie Rock]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Carrie Brownstein]]></category>
		<category><![CDATA[Christina Aguilera]]></category>
		<category><![CDATA[clip job]]></category>
		<category><![CDATA[Comet Gain]]></category>
		<category><![CDATA[edie sedgwick]]></category>
		<category><![CDATA[Heavens to Betsy]]></category>
		<category><![CDATA[Huggy Bear]]></category>
		<category><![CDATA[Julie Ruin]]></category>
		<category><![CDATA[Kathleen Hanna]]></category>
		<category><![CDATA[Le Tigre]]></category>
		<category><![CDATA[Noisy Pig]]></category>
		<category><![CDATA[partyline]]></category>
		<category><![CDATA[Pillow Talk]]></category>
		<category><![CDATA[riot grrrl]]></category>
		<category><![CDATA[Sleater-Kinney]]></category>
		<category><![CDATA[Velvet Lounge]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=11944</guid>
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Partyline (2005-present): Fascination with the riot grrrl movement burned brightly and briefly, but the members of Bratmobile—which formed in 1991—kept making music, on and off, until 2002. Sort-of based in D.C., Partyline isn't the first other project for singer Allison Wolfe, but it's had the most staying power. The band's name sort of reminds me [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-11955" title="partyline" src="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/10/partyline.jpg" alt="partyline" width="420" height="279" /></p>
<p><strong>Partyline (2005-present): </strong>Fascination with the riot grrrl movement burned brightly and briefly, but the members of <strong>Bratmobile—</strong>which formed in 1991—kept making music, on and off, until 2002. Sort-of based in D.C., <a href="http://www.partylinedc.com/">Partyline</a> isn't the first other project for singer <strong>Allison Wolfe</strong>, but it's had the most staying power. The band's name sort of reminds me of that chirpy<strong> <a href="http://http://www.imdb.com/title/tt0053172/" >Doris Day</a></strong><a href="http://http://www.imdb.com/title/tt0053172/" >/</a><strong><a href="http://http://www.imdb.com/title/tt0053172/" >Rock Hudson</a></strong><a href="http://http://www.imdb.com/title/tt0053172/" > movie</a> where they share a phone line, but Partyline's music—snotty, high-adrenaline, feminist—quickly corrects that association. The trio plays at the <strong>Velvet Lounge</strong> tomorrow night at 9 p.m. with <strong>Edie Sedgwick</strong> and <strong>Noisy Pig</strong>. Tickets are $8.</p>
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<p><em>More riot grrrl second acts after the jump: flowcharts, riots in MTV studios, and <strong>Christina Aguilera</strong>!</em></p>
<p><span id="more-11944"></span></p>
<p><strong>Julie Ruin (1998):</strong> When <strong>Bikini Kill </strong>split up in 1998, singer <strong>Kathleen Hanna</strong> recorded a one-off album under the sobriquet Julie Ruin. Sonically, it's a bridge between Bikini Kill and Hanna's later electroclash outfit <strong>Le Tigre. </strong>The lyrics, too, are of the same smart, anarcho-feminist mold, but they also irreverently take measure of riot grrrl itself. Take "Aerobicide," whose spoofy video plays with the cop-show aesthetic of <strong><a href="http://www.youtube.com/watch?v=z5rRZdiu1UE" >Beastie Boys</a></strong><a href="http://www.youtube.com/watch?v=z5rRZdiu1UE" >'s "Sabotage" promo</a>, and contains mustachioed suits strategizing how to sell riot grrrl. Best shot? A flowchart in which all arrows point to "dance party."</p>
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<p><strong>Sleater-Kinney (1994-2006): </strong>This jagged Olympia, Wash.-based band emerged from <strong>Heavens to Betsy</strong> and <strong>Excuse 17</strong>, and took the riot grrrl ethos to its largest audience yet. The best testament to the trio's success? None of the Sleater-Kinney fans I know have the same favorite album. Also, member <strong>Carrie Brownstei</strong><strong>n</strong>'s <a href="http://www.npr.org/blogs/monitormix/" >Moniter Mix</a><a href="http://www.npr.org/blogs/monitormix/" > blog</a> is one of the Web's best blends of hard thinking and excellent taste.</p>
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<p><strong>Comet Gain (1993-present):</strong> The members of the U.K. band <strong>Huggy Bear</strong> all joined other groups, none better than Comet Gain. This jangly outfit featuring bassist <strong>Jon Slade—</strong>one of the few males to play in a riot grrrl band—formed around the time Huggy Bear started a minor riot in an MTV studio, thus earning canonization by British rockists. Production assistants have rested easy since: Comet Gain's vibe is decidedly calmer.</p>
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<p><strong><strong>Le Tigre: (1998-present): </strong><span style="font-weight: normal;">Kathleen Hanna's second second act. Originally conceived as the back-up band for Julie Ruin, Le Tigre pumped out three loud, rude, and synthy releases beginning in 1999, and is still making music in 2009—</span><a href="http://pitchfork.com/news/35558-le-tigre-working-with-christina-aguilera/" ><span style="font-weight: normal;">with </span></a></strong><a href="http://pitchfork.com/news/35558-le-tigre-working-with-christina-aguilera/" >Christina Aguilera</a><strong><span style="font-weight: normal;">. Don't get snooty: A decade after the fact, Le Tigre's "Deceptacon" remains the best part of any dance party where people have the chutzpah to play it.</span></strong></p>
<p><strong> </strong></p>
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