Amanda Abrams leads this week's arts section with her profile of Paul Emerson, an ambitious dance presenter whose last company, CityDance, folded in 2011—and whose new group, Company E, makes its D.C. premiere next week. Trey Graham reviews Signature's Really Really and Round House's Next Fall—two plays about personal crises in which the questions really count. Rebecca [...]
Posts Tagged ‘Gala Hispanic Theatre’
Earlier today, GALA Hispanic patrons got a worrysome email: Thanks to "the loss of some public funding," the Columbia Heights theater had to postpone its production of i put the fear of Mexico in 'em, an English-language play by Matthew Paul Olmos about immigration. According to GALA co-founder Rebecca Medrano, though, the changes aren't a [...]
In today's Washington Post, Peter Marks and Jacqueline Trescott broke the announcement that Arena Stage has removed two shows from its schedule next spring. One, a musical version of the Laura Esquivel novel Like Water for Chocolate, was postponed over creative difficulties. But the other, Tazewell Thompson's new play Mary T. and Lizzy K., has been [...]
Is it an opera or a musical? It’s a question one could ask about the bulk of the In Series’ productions, which tend to straddle the space between the two. The series' season opener, Love Potion #1 (L’Elisir d’Amore), skews more in the musical-theater direction. And it works, taking on just enough of the Donizetti [...]
Trey Graham leads this week's arts section with his deep and affecting look at the life and final days of Garauv Gopalan, a local theatermaker who was murdered in Columbia Heights earlier this month. Bob Mondello reviews the Harman Center's Fela!, an ecstatic revolutionary musical, and Arena's Trouble in Mind, Alice Childress' backstage almost-classic about race in America. [...]
Grantland: The National Endowment for the Arts announced $88 million in grants yesterday, a sum that includes a few awards that will help fund the upcoming seasons at several organizations affected by cuts to the National Capital Arts and Cultural Affairs grant program. The Post's Jacqueline Trescott notes that GALA Hispanic Theatre received $40,000 to [...]
When the House Appropriations Committee published the list of federal program cuts in the continuing budget resolution that averted a government shutdown earlier this month, one small cut sent a shockwave across Washington. You probably read about it.
Another got less attention.
The bill keeping the federal government open through the remainder of the 2011 fiscal year [...]
When José Torres-Tama steps on the stage of the GALA Hispanic Theatre this Friday, he has a message he’s determined to convey. And he’s going to try to get it across any way he can–ranging from Star Wars parodies to carrying a cross covered with dollar bills.
The piece, titled “Aliens, Immigrants, & Other Evildoers” is [...]
This week's arts section opens with my demystification of the Grammy Awards and look at D.C.-based nominee Carolyn Malachi. In theater, Chris Klimek reviews a snoozy The Carpetbagger's Children at Ford's and a Taffety's weird-ass Owl Moon; Bob Mondello reviews Tom Stoppard's reverse-engineering of Dolly, On the Razzle; and Trey Graham checks out GALA Hispanic Theatre's [...]
Gabriel García Márquez's story "The Incredible and Sad Tale of Innocent Eréndira and her Heartless Grandmother" isn't the easiest work to stage. In the novel, Eréndira, a young girl, is forced by her grandmother to work as a prostitute after burning down their home in an accident. A road trip of sorts follows, with [...]