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	<title>Arts Desk &#187; Fulton Lights</title>
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		<title>A Guide to The Dismemberment Plan&#8217;s Opening Acts</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2011/01/20/a-guide-to-the-dismemberment-plans-opening-acts/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2011/01/20/a-guide-to-the-dismemberment-plans-opening-acts/#comments</comments>
		<pubDate>Thu, 20 Jan 2011 15:00:55 +0000</pubDate>
		<dc:creator>Benjamin R. Freed</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Batala]]></category>
		<category><![CDATA[Bluebrain]]></category>
		<category><![CDATA[Fulton Lights]]></category>
		<category><![CDATA[Office of Future Plans]]></category>
		<category><![CDATA[Poor But Sexy]]></category>
		<category><![CDATA[Tereu Tereu]]></category>
		<category><![CDATA[The Dismemberment Plan]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=39535</guid>
		<description><![CDATA[Everyone have their tickets? The big weekend is nigh.
Back in the fall The Dismemberment Plan announced the opening acts for its three shows in Washington this weekend. And if you're wondering who will be warming Black Cat and 9:30 Club audiences ahead of the main sets, don't worry, Arts Desk has you covered.
Friday, Jan. 21, Black [...]]]></description>
			<content:encoded><![CDATA[<p>Everyone have their tickets? The big weekend is nigh.</p>
<p>Back in the fall <strong>The Dismemberment Plan</strong> <a href="http://www.washingtoncitypaper.com/blogs/artsdesk/music/2010/11/24/dismemberment-plan-announce-opening-acts/">announced the opening acts</a> for its three shows in Washington this weekend. And if you're wondering who will be warming Black Cat and 9:30 Club audiences ahead of the main sets, don't worry, Arts Desk has you covered.</p>
<p><strong>Friday, Jan. 21, Black Cat</strong>:</p>
<ul>
<li><strong>Tereu Tereu</strong>, the jangly, noisy, indie-pop band fronted by <em>City Paper</em> contributor<strong> Ryan Little</strong> released its debut album <em>All That Keeps Us Together </em>in 2008, and Little, in a <a href="http://tereutereu.com/blog/2011/01/happy-new-year-news-news-news/">recent post</a> on the band's blog, hopes to have a fresh EP very soon, perhaps even in time for the show Friday. From <em>All That Keeps Us Together</em>, "Beyond the Coast" is classic D.C. post-punk touched up with the occasional string or horn section and soaring backup vocals.</li>
<p><strong>LISTEN</strong>: Tereu Tereu — "Beyond the Coast" </ul>
<ul>
<li><strong>Bluebrain:</strong> <a href="http://www.washingtoncitypaper.com/bestofdc/2010/artsandentertainment/staffpicks/best-band-that-left-brooklyn-for-d-c-and-not-vice-versa">We like</a> these guys. <a href="http://www.washingtoncitypaper.com/articles/40188/the-year-in-bluebrain">A lot</a>. But if the inventive electro-pop duo of <strong>Ryan</strong> and <strong>Hays Holladay</strong> is indeed D.C.'s most interesting band (our position: <a href="http://www.washingtoncitypaper.com/blogs/artsdesk/music/2010/12/23/a-bit-more-from-bluebrain/">they are</a>), then their gig opening for The Dismemberment Plan is plenty deserved and the biggest mystery of all the opening acts this weekend. Bluebrain's past live shows in enclosed venues (i.e. The Fridge or the Artisphere) have included audience participation via iPhone and 3-D light shows. When I spoke to Bluebrain last month, they were in the early stages of prepping for this gig, which Ryan Holladay called "a huge honor." In the mean time, here's a snippet of the <a href="http://www.washingtoncitypaper.com/blogs/artsdesk/music/2010/04/01/bluebrain-animal-collective-beauty-pill-and-more-on-their-cherry-blossom-boombox-walk/">Cherry Blossom Boombox Walk</a> they curated last spring.</li>
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<p><strong><span id="more-39535"></span>Saturday, Jan. 22, 9:30 Club</strong>:</p>
<ul>
<li>The all-woman percussion group <strong>Batala</strong> features upwards of 60 drummers banging out samba, reggae, and Afro-Brazilian rhythms. The pan-cultural drum corps is one segment of a global social music collective with groups on four continents.</li>
<p><strong>LISTEN</strong>: Batala — "Batala Hey" </ul>
<ul>
<li>Dismemberment Plan guitarist <strong>Jason Caddell </strong>produced his band <strong>Poor But Sexy</strong>'s forthcoming LP <em>Let's Move in Together</em>, due out next month on Tastey Bite Records. Last November they released one of the new tracks, the funk- and prog-imbued "Cherry Delicious," which Ryan Little likened to "<strong>Prince</strong>'s <strong>Revolution</strong> as fronted by <strong>Daryl Hall</strong>."</li>
<p><strong>LISTEN<span style="font-weight: normal;">: Poor But Sexy — "Cherry Delicious" </span></strong></ul>
<p><strong>Sunday, Jan. 23, 9:30 Club</strong>:</p>
<ul>
<li><strong>Andrew Spencer Goldman</strong> has lived in the District before, but spent most of the past decade in Brooklyn. He left Hipster Central in 2008 and decamped to Baltimore, <a href="http://dcist.com/2010/11/dcist_interview_fulton_lights.php">ostensibly attending law</a> school but also performing as <strong>Fulton Lights</strong>. The AV Club called Fulton Lights' 2009 album <em>Healing Waters</em> a blend of Beck, Modest Mouse, and Tom Waits, with a dash of Brian Eno for texture. "Everybody's Running From Something," from the 2008 album <em>The Way We Ride</em>, stacks fuzzy vocals beneath moody guitars beneath straining horns, aptly meeting that heady description.</li>
<p><strong>LISTEN</strong>: Fulton Lights — "Everybody's Running From Something" </ul>
<ul>
<li><strong>J. Robbins</strong> has played with too many bands to recount in a single blog post. His latest venture, <strong>Office of Future Plans</strong> is gunning to drop its debut single "Harden Your Heart" in time for its date with Dismemberment Plan this weekend. To raise the cash for a vinyl pressing, <strong>Leor Galil </strong><a href="http://www.washingtoncitypaper.com/blogs/artsdesk/music/2010/12/30/office-of-future-plans-kickstart-its-debut-release/">reported last month</a>, the band offered to cover any song requested by anyone willing to pony up $1,000. The Kickstarter campaign blew past its $2,550 goal in less than four days, the band <a href="http://officeoffutureplans.com/post/2583222622/kickstarter-office-of-future-plans-pre-order">wrote on its website</a> earlier this month.</li>
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</ul>
]]></content:encoded>
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		<title>Hear (Groovy) Title Tracks Covers, See Title Tracks Tonight</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/06/hear-groovy-title-tracks-covers-see-title-tracks-tonight/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/06/hear-groovy-title-tracks-covers-see-title-tracks-tonight/#comments</comments>
		<pubDate>Tue, 06 Oct 2009 14:32:31 +0000</pubDate>
		<dc:creator>Jonathan L. Fischer</dc:creator>
				<category><![CDATA[Concerts]]></category>
		<category><![CDATA[Indie Rock]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[Show Alert]]></category>
		<category><![CDATA[Black Cat]]></category>
		<category><![CDATA[Fulton Lights]]></category>
		<category><![CDATA[John Davis]]></category>
		<category><![CDATA[The Andalusians]]></category>
		<category><![CDATA[The Flamin' Groovies]]></category>
		<category><![CDATA[The Merseybeats]]></category>
		<category><![CDATA[Title Tracks]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=11252</guid>
		<description><![CDATA[
John Davis' new project, Title Tracks, makes some mean power pop, and it covers some, too. Davis, who played in the defunct Georgie James and Q &#38; Not U, recently posted some quick-and-dirty demos to his MySpace: "I Can't Hide," one of the catchiest teenage anthems by the influential ’70s band The Flamin' Groovies, and "I Stand Accused," a [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-11256" title="tts" src="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/10/tts.jpg" alt="tts" width="400" height="300" /></p>
<p>John Davis' <a href="http://titletracksdc.blogspot.com/" >new project</a>, <strong>Title Tracks</strong>,<strong> </strong>makes some mean power pop, and it covers some, too. Davis, who played in the defunct <strong>Georgie James </strong>and <strong>Q &amp; Not U</strong>, recently posted some quick-and-dirty demos to <a href="http://www.myspace.com/titletracksdc" >his MySpace</a>: "I Can't Hide," one of the catchiest teenage anthems by the influential ’70s band <strong>The Flamin' Groovies</strong>, and "I Stand Accused," a similarly themed ditty by the mostly forgotten British Invasion group <strong>The Merseybeats</strong>.</p>
<p>Davis' band, which plays tonight at the Black Cat, occasionally covers both songs live. Davis wrote in an e-mail that he recorded the covers in his Brookland practice space with Michael Cotterman and Andrew Black, who play bass and drums in the band's live incarnation (Davis plays every instrument in the studio).</p>
<p>"I think they were just songs that fit in with what we were doing overall," Davis wrote. "We were actually playing that Flamin' Groovies song on the final Georgie James tour in Europe last year (Michael and Andrew also played with me in GJ), so it was something we knew and just thought we'd bring back and do again."</p>
<p><span id="more-11252"></span></p>
<div id="_mcePaste" style="overflow: hidden; position: absolute; left: -10000px; top: 442px; width: 1px; height: 1px;">These aren't the only covers Title Tracks can play, but don't expect to hear too many more. "A lot of time at practice, we'll just play covers for fun, most of which won't see the light of day," Davis wrote, "as people probably don't need to hear Title Tracks' instrumental version of Fugazi's "Public Witness Program." You sure about that, John?</div>
<p>These aren't the only covers Title Tracks can play, but don't expect to hear many more of them. "A lot of time at practice, we'll just play covers for fun, most of which won't see the light of day," Davis wrote, "as people probably don't need to hear Title Tracks' instrumental version of Fugazi's 'Public Witness Program.'"</p>
<p><em>Title Tracks perform with Fulton Lights and The Andalusians tonight at 9 p.m. at the Black Cat. Tickets are $10.</em></p>
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