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	<title>Arts Desk &#187; Detox Retox</title>
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	<description>News and Criticism on D.C. and Beyond</description>
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		<title>Your Local Faves, Playing Other People&#8217;s Songs</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/08/your-local-faves-playing-other-peoples-songs/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/08/your-local-faves-playing-other-peoples-songs/#comments</comments>
		<pubDate>Thu, 08 Oct 2009 14:32:35 +0000</pubDate>
		<dc:creator>Jonathan L. Fischer</dc:creator>
				<category><![CDATA[Folk]]></category>
		<category><![CDATA[Indie Rock]]></category>
		<category><![CDATA[MP3]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Black Flag]]></category>
		<category><![CDATA[bob dylan]]></category>
		<category><![CDATA[Covers]]></category>
		<category><![CDATA[Detox Retox]]></category>
		<category><![CDATA[Joy Division]]></category>
		<category><![CDATA[Robert Pollard]]></category>
		<category><![CDATA[Screen Vinyl Image]]></category>
		<category><![CDATA[Slowdive]]></category>
		<category><![CDATA[Stiff Little Fingers]]></category>
		<category><![CDATA[talking heads]]></category>
		<category><![CDATA[Ted Leo]]></category>
		<category><![CDATA[These United States]]></category>
		<category><![CDATA[Title Tracks]]></category>
		<category><![CDATA[Ugly Purple Sweater]]></category>
		<category><![CDATA[vandaveer]]></category>
		<category><![CDATA[Woody Guthrie]]></category>
		<category><![CDATA[Yo La Tengo]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=11435</guid>
		<description><![CDATA[
Because I wrote about Title Tracks&#8217; versions of songs by The Flamin&#8217; Groovies and The Merseybeats earlier this week, and because Bob Dylan&#8217;s truly atrocious new disc of Christmas standards leaked yesterday, I&#8217;ve been thinking a lot about covers.
Let&#8217;s put aside the illustrious history of ill-advised tributes (read: the entire Me First and the Gimme Gimmes oeuvre). A good cover can [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-11523 alignnone" title="Layout 1" src="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/10/coversgraphic2.jpg" alt="Layout 1" width="430" height="194" /></p>
<p>Because I <a href="http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/06/hear-groovy-title-tracks-covers-see-title-tracks-tonight/" target="_blank">wrote about</a> <strong>Title Tracks&#8217; </strong>versions of songs by <strong>The Flamin&#8217; Groovies</strong> and <strong>The Merseybeats</strong><strong> </strong>earlier this week, and because <strong>Bob Dylan</strong>&#8217;s <a href="http://www.amazon.com/Christmas-Heart-Bob-Dylan/dp/B002MW50KO/ref=sr_1_1?ie=UTF8&amp;s=music&amp;qid=1254955279&amp;sr=8-1" target="_blank">truly atrocious new disc of Christmas standards</a> leaked yesterday, I&#8217;ve been thinking a lot about covers.</p>
<p>Let&#8217;s put aside the illustrious history of ill-advised tributes (read: the entire <strong>Me First and the Gimme Gimmes </strong>oeuvre). A <em>good </em>cover can both satisfy a simple, dorky impulse—to hear one artist you admire spin another in an interesting way—and prove rather instructional. For example, it can tell you that Title Tracks frontman <strong>John Davis </strong>is probably a sucker for semi-obscure gems (<a href="http://colourmeimpressed.com/2009/04/23/10-questions-with-title-tracks/" target="_blank">he is</a>), as well as a student of infectious, pop-classicist hooks. With that in mind, I&#8217;ve collected some recent covers by local artists.</p>
<p>My short list, after the jump, is fairly folk- and indie-centric, and by no means complete. Tell me what I missed in the comments.</p>
<p><span id="more-11435"></span></p>
<p><strong>These United States</strong> and <strong>Vandaveer—</strong>the folky side project of  TUS&#8217;s bassist, Mark Heidinger—contributed cuts to <em><a href="http://www.amazon.com/B%C3%A9atrice-Ardisson-Presents-Dylan-Mania/dp/B00283GZ1U" target="_blank">Dylan Mania</a></em>, a French tribute compilation that slipped under the radar when it dropped in May. Vandaveer&#8217;s take on &#8220;The Man In Me&#8221; is fairly straightforward, if not nearly as creepy and self-satisfied as <a href="http://www.youtube.com/watch?v=Y2s8_hCCHg4" target="_blank">the 1970 original</a>. These United States&#8217; version of &#8220;To Ramona,&#8221; meanwhile, is more animated and unhinged, benefiting greatly from a galloping rhythm and some thickly applied pedal steel. You can hear both songs on the groups&#8217; respective <a href="http://www.myspace.com/vandaveer" target="_blank">MySpace</a> <a href="http://www.myspace.com/theseunited" target="_blank">pages</a>.</p>
<p><strong>Ugly Purple Sweater </strong>has a cover of the <strong>Woody Guthrie</strong>-penned folk standard &#8220;This Land Is Your Land&#8221; up on its <a href="http://www.myspace.com/uglypurplesweater" target="_blank">MySpace page</a>. No surprises here, really—except that the duo has tweaked the title a bit, and decorated the song with a fairly silly falsetto. Which, strangely, is pretty awesome.</p>
<p><strong>Last Tide—</strong>whom I wrote about in <a href="http://www.washingtoncitypaper.com/display.php?id=37924" target="_blank">this week&#8217;s One Track Mind</a>—includes a swirling, eerie cover of <strong>Talking Heads</strong>&#8216; &#8220;Memories Can&#8217;t Wait&#8221; in its live set. Cover Me—a blog that, yes, covers covers—<a href="http://covermesongs.blogspot.com/2009/09/cover-news-september-18-2009.html" target="_blank">has an mp3 of the song</a> from the band&#8217;s recent appearance on <strong>WMUC</strong>’s Third Rail Radio program. Also, Last Tide frontman Nate Frey&#8217;s other band, <strong>Detox Retox</strong>, does an, um, <a href="http://www.youtube.com/watch?v=c39gHCu2Cqk" target="_blank">interesting cover</a> of <strong>Joy Division</strong>&#8217;s &#8220;Transmission&#8221;:</p>
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<p>The gloomy art-punk outfit <strong>Screen Vinyl Image</strong> taps one of its sonic forebears in this live cover of an early <strong>Slowdive </strong>B-side. Bonus! The woozy video quality and seizure-inducing lights are straight out of any shoegaze music vid circa 1989:</p>
<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="425" height="344" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/D-Ve8eKiBas&amp;hl=en&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="425" height="344" src="http://www.youtube.com/v/D-Ve8eKiBas&amp;hl=en&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><strong>Ted Leo </strong>doesn&#8217;t make music in the District anymore, but I like his tense, crescendoing cover of <strong>Robert Pollard</strong>&#8217;s &#8220;The Numbered Head&#8221;—from the recent <em><a href="http://www.amazon.com/Score-20-Years-Merge-Records/dp/B0026EEB4O/ref=sr_1_1?ie=UTF8&amp;s=dmusic&amp;qid=1254946399&amp;sr=8-1" target="_blank">Score! 20 Years Of Merge Records: The Covers!</a></em> comp—enough to include it here. You can stream the song at the <strong><a href="http://www.mergerecords.com/store/store_detail.php?catalog_id=601" target="_blank">Merge</a></strong><a href="http://www.mergerecords.com/store/store_detail.php?catalog_id=601" target="_blank"> </a><strong><a href="http://www.mergerecords.com/store/store_detail.php?catalog_id=601" target="_blank">Records</a></strong><a href="http://www.mergerecords.com/store/store_detail.php?catalog_id=601" target="_blank"> online store</a>. It&#8217;s got nothing, though, on the <a href="http://www.youtube.com/watch?v=GhyPfh-U3A0" target="_blank">all-adrenaline cover of &#8220;Suspect Device&#8221;</a> that Leo played at <strong>Fort Reno</strong> a few years ago.</p>
<p><strong>Yo La Tengo </strong>hails from Hoboken, N.J, but the group played a pair of (kinda) D.C.-related covers at its <strong>9:30 Club</strong> show recently: &#8220;Firecracker, Firecracker,&#8221; by <strong>Half Japanese, </strong>and &#8220;Nervous Breakdown,&#8221; which L.A.&#8217;s <strong>Black Flag</strong> wrote about three years before the District-born <strong>Henry Rollins </strong>joined the group. Rollins&#8217; provenance was a shaky excuse for Yo La Tengo to play the song, but the crowd was happy to forgive the trio. You can <a href="http://www.npr.org/templates/story/story.php?storyId=112824244" target="_blank">stream the entire set</a> at NPR.</p>
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