Arts Desk: News and Criticism on D.C. and Beyond

Posts Tagged ‘concert’

Photos: Miley Cyrus @ Verizon Center

The First Lady was at the Verizon Center last night, daughters and Secret Service in tow, to witness Miley Cyrus‘ first tour under her own name rather than the Hannah Montana brand. Many more photos after the jump (click on any photo for a larger version).

Note: these photos may not be republished elsewhere.

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Photos: Bruce Springsteen @ Verizon Center

The fact that Bruce Springsteen and the E Street Band last played in D.C. just this past May didn’t seem to put a damper on the reception that the Boss and friends received when they hit the stage at the Verizon Center. After the jump and at the full gallery, check out some images from the initial moments of last night’s show.

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Photos: Om @ DC9

Al Cisneros got a haircut, Chris Hakius morphed into Emil Amos (pictured above), and Robert Lowe of Lichens sat in on guitar, keys, and percussion. Om is very different now than they were when they last played D.C. Some growing pains were evident as the sound was rough and some of the pieces seemed a little sloppy. Still, with Cisneros staring wide-eyed at nothing while slamming his palm against his bass and Amos bashing the skins as gleefully as Hakius used to, it’s hard not to be transfixed by this band.

More photos after the jump and at the full gallery.

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Photos: Hanzel und Gretyl @ Jaxx

New York’s Hanzel und Gretyl are a thoroughly ridiculous band in music, lyric (their latest big hit? “Fukken Uber Death Party”), and imagery. Luckily, they know it, and they don’t take themselves seriously at all. As a result, a show that would just be utterly laughable is, well, still laughable, but also big fun.

More photos after the jump and at the full gallery.

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Photos: Anti-Pop Consortium @ Rock & Roll Hotel

Experimental hip-hoppers Anti-Pop Consortium were at their incomprehensible best at Rock & Roll Hotel this Saturday, performing a set heavy on tunes from their recent reunion album, Fluorescent Black. It was a welcome return to form for a group that has seen its individual members involved in a huge number of side projects after APC’s breakup in 2002, none of which were as satisfying as APC itself.

More photos after the jump and at the full gallery.

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Photos: In Flames @ 9:30 Club

What a difference a year makes: last December, Swedish death metal icons In Flames were blown off the stage by their opening band (Gojira) in Baltimore; last May, North Carolinian prog-metallers Between the Buried and Me played to a disinterested audience of Dream Theater fans at DAR Constitution Hall. On Monday at a packed 9:30 Club, BTBAM satisfied a crowd full of fans screaming, “You guys should headline this tour!” while In Flames more than matched BTBAM, with exponentially more energy than they had at that Baltimore show last winter.

More photos after the jump and at the full gallery.

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Photos: Ra Ra Riot @ 9:30 Club

Considering the group only has one full-length album to its name, Ra Ra Riot brought an impressively enthusiastic audience to a sold-out 9:30 Club last night. The Syracuse indie-pop sextet put on a show better than its album would lead one to expect—the hour-long set was just enough to leave fans wanting more.

Photos after the jump and at the full gallery.

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Photos: U2 @ FedEx Field

If ever there were a band that needs no introduction, that band is pictured in this post. Enjoy the photos—more after the jump and at the full gallery.

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Photos: Lady Gaga @ Landmark Theater, Richmond

Compared to the utter preposterousness that was Lady Gaga at the VMAs, last night’s show in Richmond was surprisingly tame. Still, if you’ve got tickets for Gaga’s show tonight at DAR Constitution Hall, you’re in for a pretty bizarre spectacle. Lots of photos after the jump and at the full gallery.

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BLK JKS Prog Fest @ Black Cat Tuesday

Much of the BLK JKS’s press to date invokes afro-beat tinged comparisons to TV on the Radio, Bad Brains and Living Colour, though guitarist Mpumi Mcata brushes off the comparison game by encouraging “the reader to seek out and envision” rather than relying on, you know, critics.

The four-man group has erupted from South Africa as evangelists of any-influence-goes prog rock. Their latest, After Robots (Secretly Canadian), is a rousing yet challenging post-apartheid free-for-all. Such a frenetic melding of different styles, tempos, and instrumentations, though, can threaten to bury the central idea of a song.

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