<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arts Desk &#187; Bono</title>
	<atom:link href="http://www.washingtoncitypaper.com/blogs/artsdesk/tag/bono/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.washingtoncitypaper.com/blogs/artsdesk</link>
	<description>News and Criticism on D.C. and Beyond</description>
	<lastBuildDate>Mon, 13 Feb 2012 19:04:27 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.2</generator>
		<item>
		<title>Arts Roundup: Hollywood Graveyard Season Edition</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/general/2009/12/29/arts-roundup-hollywood-graveyard-season-edition/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/general/2009/12/29/arts-roundup-hollywood-graveyard-season-edition/#comments</comments>
		<pubDate>Tue, 29 Dec 2009 14:41:29 +0000</pubDate>
		<dc:creator>Jonathan L. Fischer</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Bono]]></category>
		<category><![CDATA[Glen Hansard]]></category>
		<category><![CDATA[Tyler Cowen]]></category>
		<category><![CDATA[Tyra Banks]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=15703</guid>
		<description><![CDATA[
Hello! A lot of the new movies you'll see in 2010 will be old, the New York Times reports. Like, 2008 old! This is because: 1) January falls right after the deadline for Oscar eligibility, so it's a natural graveyard for films that the studios had hoped would be a lot better (like The Lovely Bones, [...]]]></description>
			<content:encoded><![CDATA[<p><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="408" height="250" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/mon8zThYZZ4&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowfullscreen" value="true" /><embed type="application/x-shockwave-flash" width="408" height="250" src="http://www.youtube.com/v/mon8zThYZZ4&amp;hl=en_US&amp;fs=1&amp;" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p>Hello! A lot of the new movies you'll see in 2010 <a href="http://www.nytimes.com/2009/12/29/movies/29old.html?ref=todayspaper" >will be old</a>, the <em>New York Times </em>reports. Like, 2008 old! This is because: 1) January falls right after the deadline for Oscar eligibility, so it's a natural graveyard for films that the studios had hoped would be a lot better (like <em>The Lovely Bones</em>, and (one supposes) the new Scorsese film <em>Shutter Island</em>; 2) Every once in a while, Hollywood actually makes money early in the year (as with "Taken" and "Paul Blart: Mall Cop" this year; 3) the 2008 writers' strike has something to do with it, too (I guess). My thoughts: I wish American movie studios released quality films in months other than November and December. More importantly! January is terrible for American movies, but it's great for people in large cities that are not New York, since all the foreign-language films that got love on the international festival circuit finally trickle into American art houses (after limited New York-L.A. runs to qualify for the Oscars' foreign film category). If 2010's winter haul&#8212;<em>Police, Adjective </em>opens at E Street on Jan. 15&#8212;is as good as 2009's (<em>Gomorra</em>, <em>The Class</em>), then I'm set, Blarts be damned. Or I could take a chance on that new <a href="http://www.apple.com/trailers/weinstein/youthinrevolt/" >Michael Cera vehicle</a>.</p>
<p><span id="more-15703"></span></p>
<p>- <strong>Avenged Sevenfold</strong> drummer James Owen Sullivan has been <a href="http://news.yahoo.com/s/ap/20091229/ap_en_mu/us_avenged_sevenfold_death" >found dead</a>.</p>
<p>- George Mason<strong> </strong>economist <strong>Tyler Cowen</strong> <a href="http://www.marginalrevolution.com/marginalrevolution/2009/12/what-are-the-odds-that-the-best-chess-player-in-the-world-has-never-played-chess.html" >asks</a>: What are the odds that the best chess player in the world has never played chess? He writes:</p>
<blockquote><p>The more general issues are how well the modern world allocates talent and how much exposure you need to something you eventually will be very good at.</p>
<p>My view is that people who are born into a reasonably good educational infrastructure get exposed repeatedly&#8212;albeit briefly&#8212;to lots of the activities which might intrigue them. If the activity is going to click with them, it has the chance. To borrow the initial example, most high schools and junior high schools have chess clubs and not just in the wealthiest countries. Virtually everyone is put in touch with math, music, kite-flying, poetry, and so on at relatively young ages.</p></blockquote>
<p>- Also on the economics tip: Since supervillains are so bad at their jobs, should they switch careers? Ecocomics <a href="http://eco-comics.blogspot.com/2009/12/supervillain-career-fair.html" >explores</a>. Key lines:</p>
<blockquote><p>Lets talk about Calendar Man. He's a Batman villain who commits crimes on specific days of the year. It's kind of his gimmick. But committing crimes on specific days doesn't make you more successful. It actually hinders you quite a bit, allowing Batman to punch you repeatedly in the face. This is a bad thing.</p></blockquote>
<p>And:</p>
<blockquote><p>Batman and Superman should work to get their rogues connected with major companies in order to make everyone's lives easier. Mr. Freeze would be better off working for Frigidaire. Poison Ivy could work for Greenpeace. The Toyman could work for Hasbro. Clock King could improve the design of a Rolex tenfold. I'm actually pretty sure Brainiac already works for Apple.</p></blockquote>
<p>- This <em>WaPo</em> subhead&#8212;<a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/12/28/AR2009122801964.html" >"Tyra Banks will zip it"</a>&#8212;doesn't quite read "Tyra Banks will end talk show" so much as it reads "Thank Christ she's shutting up." Subtle!</p>
<p>- <strong>Bono</strong>, <strong>Damien Rice</strong>, <strong>Glen Hansard</strong>, and <strong>Mundy</strong> <a href="http://www.youtube.com/watch?v=mzg97xwoJwk&amp;feature=player_embedded" >went busking</a> on Christmas Day.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.washingtoncitypaper.com/blogs/artsdesk/general/2009/12/29/arts-roundup-hollywood-graveyard-season-edition/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>163,417 Reasons Bono Needs to Stop Preaching About Climate Change and Poverty</title>
		<link>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/19/bonos-new-york-times-op-ed-makes-me-want-to-club-a-baby-sea/</link>
		<comments>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/19/bonos-new-york-times-op-ed-makes-me-want-to-club-a-baby-sea/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 15:02:03 +0000</pubDate>
		<dc:creator>Sean Cronin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[360 tour]]></category>
		<category><![CDATA[Bono]]></category>
		<category><![CDATA[carbon emissions]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[u2]]></category>

		<guid isPermaLink="false">http://www.washingtoncitypaper.com/blogs/artsdesk/?p=12145</guid>
		<description><![CDATA[ 
2,160: The number of wheels on which the 2009 U2 360 tour is currently rolling across this great nation. Divided by 18, that’s 120 trucks, carrying only the lights and stage for the tour. Who knows how many tour buses it takes to cart around Bono’s Prada support team.
7,400: A rough, and conservative, estimate [...]]]></description>
			<content:encoded><![CDATA[<p><strong> </strong></p>
<p><strong><a href="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/09/u210.jpg"><img class="alignleft size-thumbnail wp-image-10867" title="u210" src="http://www.washingtoncitypaper.com/blogs/artsdesk/files/2009/09/u210-110x65.jpg" alt="u210" width="110" height="65" /></a>2,160:</strong> The number of wheels on which the <a href="http://www.u2.com/tour/index/tour/id/72">2009 U2 360 tour</a> is currently rolling across this great nation. Divided by 18, that’s 120 trucks, carrying only the lights and stage for the tour. Who knows how many tour buses it takes to cart around Bono’s Prada support team.</p>
<p><strong>7,400:</strong> A rough, and conservative, estimate of the number of miles the North American portion of the tour will have traveled when it stops in Vancouver on October 28.</p>
<p><strong>126,857:</strong> At an average of 7 miles per gallon, this is the number of gallons of diesel U2 will have sucked down by the end of the month just to transport its stage from venue to venue. This isn’t even counting the 24 European dates earlier this summer, which I had to leave out of this calculation because the whole metric conversion thing just made me even angrier. <a href="http://www.cnn.com/TECH/space/9909/30/mars.metric.02/#2">NASA can’t even figure that shit out.</a></p>
<p><strong>0:</strong> The number of times the <em>New York Times</em> editorial board should let Bono, <a href="http://www.nytimes.com/2009/10/18/opinion/18bono.html">that smug Irish twat</a>, even mention, without an asterisk*, the fact that severe climate change, along with extremist ideology and extreme poverty, is one of the three biggest threats this planet faces right now.</p>
<p>*Carbon offsets be damned. The damage is done, dude.</p>
<p><em>Photo by Brandon Wu</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.washingtoncitypaper.com/blogs/artsdesk/music/2009/10/19/bonos-new-york-times-op-ed-makes-me-want-to-club-a-baby-sea/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

